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Growing up in rural Curlew, Washington, Miller began playing guitar at 16, turning his back on a promising career as a visual artist to pursue his passion for music.

He gained experience busking and performing in open mic nights while roadtripping around America, and during an extended stint in Eastern Europe.

Any Way, Shape or Form, the BMB's New West debut release, showcases the seasoned threesome's fierce creative spirit and infectious performing chemistry, as well as Miller's melodically catchy, lyrically resonant songwriting.

On Any Way, Shape or Form, the Ben Miller Band channels a century's worth of wide-ranging influences into 13 new songs that radiate with energy, smarts and soul.

"I like the idea of saying something very complicated in a very simple way," says Ben Miller, discussing the trio that bears his name.

"That's what we strive for musically, and what I strive for lyrically—to get directly to the point and save the flowery b.s. John Sargent, the painter, said 'That which is not necessary is detrimental,' and we try to live by that." Since its formation in 2004, the Ben Miller Band has staked out a singular niche that's established the Joplin, Missouri threesome as both a potent creative force and a perennial fan favorite.

Through a lot of trial and error, we arrived at the set up that we've got now.

Blazing your own trail through the jungle can take a lot of extra time and effort, but it gives you a chance to end up in a place that nobody's been to before." That sense of musical adventure has long driven Miller and this bandmates from the start.

It came out sounding like us, which is all we really want." "It was the first time we'd really had a producer/engineer," Dicharry notes, adding "It felt like we could finally breathe, because Vance was on top of things and got some really cool textures.

Miller eventually found kindred spirits in bassist Scott Leeper, who'd been playing since the age of seven and had performed with his family's band, in a duo with his brother, as a one-man country act and in a variety of blues combos; and Doug Dicharry, a musical omnivore and multi-instrumentalist, who can play nearly any instrument and has played in a wide array of projects from noise bands to ska and rock.

The three like-minded players joined forces, and soon their diligent touring regimen allowed them to conquer an ever-widening geographical base and win a loyal live audience.

The result is music that's wholly contemporary, while ringing with ages-old echoes of bluegrass, delta blues, Appalachian mountain music and more.

A stew they lovingly call “ozark stomp.” Miller writes roots-rocking barnburners ("The Outsider," "Burning Building"), thoughtful ballads ("I Feel for You," "Prettiest Girl") and left-field departures ("23 Skidoo") with melodic skill and lyrical insight, and the band elucidates them with urgency and eloquence. success helped to win the band its current deal with New West, and led to some high profile touring with ZZ Top, thanks to the enthusiastic patronage of avowed fan Billy Gibbons.

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